Soprano in C · concert pitch
-- Turn a lead melody into fingering tabs a soprano player can read. Each chart has the foot at - the top and the mouthpiece at the bottom, with the rhythm lined up in bars. Chords keep the - top note. A second staff is ignored. -
-- {recognizer?.detail ?? "Checking the local reader…"} -
-- oemer is reading the page on this computer. A dense photo can take a few minutes. Nothing - is uploaded. -
- ) : ( -- Drop a PNG, JPG, or WEBP here, or open a sample below if you want to see the tabs before a - photo works. -
- )} -{score.attribution}
-Fingering
-- Baroque is the Dolmetsch chart and the default. German only changes F, F♯, and B♭. -
-- Pitch, rest, and duration. Change anything the photo got wrong. The tabs follow this - list, including the bar lines. -
-No line loaded yet
-- Open Twinkle or Ode to Joy to see fingerings and rhythm immediately, or start an empty - bar and type the notes yourself. -
- -Soprano in C · Baroque
++ Drag a chart from the palette onto the line. Drag a placed chart sideways to reorder it, set + how long it lasts, or take it off. The foot, with the double holes, stays at the top. +
++ C5 through D7. Drag a chart downward onto the line. Swipe the row sideways to see the rest. +
++ 4/4. An arrow after a chart is one more beat. A dotted value keeps its name under the chart. +
++ Drop a fingering here. The line is empty. +
+ ) : ( +{note.pitch}
+ + + +{signatureKey(score.timeSignature)}
-- Each note is a narrow recorder with the foot at the top and the mouthpiece at the bottom. - Filled holes are closed. Notes sit in a row, grouped by bar. An arrow is one more beat on - the note before it. The duration is also written under the chart. -
- {outside > 0 ? ( -- {outside} {outside === 1 ? "note is" : "notes are"} outside C5–D7, so {outside === 1 ? "it has" : "they have"} no - fingering. -
- ) : null} -- Dolmetsch’s primary top D leaves hole 7 open. The same page notes that covering 7a and 7b - is a common fix if that D is sharp. -
- ) : null} -
- {text}
-
- - Every note from C5 to D7, foot at the top. {system === "baroque" ? "Baroque is showing." : "German changes are badged."} -
-{note}
-- {fingering ? fingeringCode(fingering) : "—"} -
- {system === "german" && germanDiffers(note) ?- Top D (D7) is the chart’s primary fingering, with hole 7 open. Dolmetsch notes that covering - 7a and 7b is a common fix if the note is sharp on your instrument. -
-Empty bar
- ) : ( - groupByBeat(measure.events, beats).map((group) => ( -- ×{measure.repeatTimes} -
- ) : null} -{name}
-- {event.label} - {event.tied ? " · tie" : ""} -
-beat {formatBeat(beat)}
-- Baroque (English) fingerings are the first row on the Dolmetsch Online chart for recorders - in C, prepared by Brian Blood. Holes are numbered 0 (thumb) through 7, and 6 and 7 are the - double holes on a modern soprano. This app uses concert pitch: the instrument sounds as - written, so low C is C5 and the encoded range stops at D7. -
-- German fingering changes three notes. Low F is Dolmetsch’s German fingering, thumb plus - holes 1–4, with 5, 6, and 7 open. F♯ is thumb plus 1, 2, 3, 5, 6, and half-hole 7. B♭ is - thumb plus 1, 3, 4, and 6. Those two accidentals follow the school German pattern described - by Zach VanderGraaff in Dynamic Music Room. The octave above uses the same front holes with - the Dolmetsch second-octave thumb. Every other note stays on the Baroque chart. -
-Alternate fingerings from the Dolmetsch chart are not shown, and nothing outside C5–D7 is guessed.
-